The internet is a funny old place. I don’t engage much these days. I blog elsewhere on WordPress and make the odd post here and there, but it’s very much … Continue reading →
The Case of Charles Dexter Ward offers the most coherent architecture of hauntological failure in the Lovecraftian canon. Ward is not a mere antiquarian; he is an agent of … Continue reading →
Providence is an series of essays that are nominally about HP Lovecraft. You find out why ‘nominally’ fits as the essays go on. This is the introduction essay. The rest … Continue reading →
The cultural artefact known as Scooby-Doo, Where Are You? represents a sustained and surprisingly rigorous interrogation of the late twentieth century landscape. To the casual observer, the first two … Continue reading →
Why the X-Men Never End — memory, seriality and myth. The mutant past is perpetually reimagined, transforming history into a shifting landscape of retroactive continuity. This instability of memory provides … Continue reading →
Now, this is the point where I started to suspect something I had not quite said out loud before. Agoraphobia is not just compatible with hauntology. It is one of … Continue reading →
If Hiroshima haunts through absence, the Titanic haunts through overexposure. The Titanic has been replayed, retold, reconstructed, and reanimated so many times that it barely qualifies as an event anymore. It … Continue reading →
Disasters have a habit of lingering long after everyone has agreed that they are finished. The rubble gets cleared. The plaques get installed. The anniversary documentaries get commissioned. The calendar … Continue reading →
On the way down, the sound followed for a while, then thinned, then vanished. It didn’t echo. That was the strangest part. For all its droning insistence, it left … Continue reading →
We were almost at the top when we heard it. Not music exactly, more a pressure system. A low drone with delusions of grandeur, stretching itself between notes like a … Continue reading →
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