Providence 2: Lovecraft Out of Time
The Case of Charles Dexter Ward offers the most coherent architecture of hauntological failure in the Lovecraftian canon. Ward is not a mere antiquarian; he is an agent of … Continue reading
Providence: Introduction – The Haunter of the Drift
Providence is an series of essays that are nominally about HP Lovecraft. You find out why ‘nominally’ fits as the essays go on. This is the introduction essay. The rest … Continue reading
Estate Agents of Doom, or, Scooby Doo vs. the 1%
The cultural artefact known as Scooby-Doo, Where Are You? represents a sustained and surprisingly rigorous interrogation of the late twentieth century landscape. To the casual observer, the first two … Continue reading
X-Men: Ghosts of Genomes Past – Part Three
Why the X-Men Never End — memory, seriality and myth. The mutant past is perpetually reimagined, transforming history into a shifting landscape of retroactive continuity. This instability of memory provides … Continue reading
X-Men: Ghosts of Genomes Past – Part Two
Haunting the Present — politics, surveillance and control. The paradoxes of mutant time are embodied in the recurring figure of the future mutant who returns to warn of a catastrophe … Continue reading
X-Men: Ghosts of Genomes Past – Part One
The Haunted Genome — biology and identity. The X-Men represent a particular brand of spectrality, defined less by biological deviation than by the persistent presence of a future that … Continue reading
The Psychology of Slow Time (Part Two)
This pressure is often framed as rumination, but rumination implies choice, or at least agency. Under slow time, memory behaves more like background radiation. It fills the space left by … Continue reading
The Psychology of Slow Time (Part One)
Slow time is not the absence of activity. This is usually where people start, and it’s where things immediately go wrong. Slow time is not what happens when nothing is … Continue reading
Phantom Limbs, Withheld Worlds, and the Quatermass Experience (Part Four)
The intersection of Kneale’s work with the mechanics of the phantom limb becomes most visible through his preoccupation with systems that persist in running on invalid assumptions. This phenomenon is … Continue reading
Phantom Limbs, Withheld Worlds, and the Quatermass Experience (Part Three)
In Quatermass and the Pit, Kneale’s ‘Hobbs End’ is London’s wound reopening. Agoraphobia is the private version of that reopening; the moment the body realises its access to the world … Continue reading
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