The Archivist’s Project 1
My name is, perhaps was, Thomas Arthur Cannon. Of that, I am almost certain. I have been in the employ of Upton Campbell, archivist and librarian of my Alma Mater, … Continue reading →
Share this:
- Share on Pinterest (Opens in new window) Pinterest
- Share on LinkedIn (Opens in new window) LinkedIn
- Share on X (Opens in new window) X
- Share on Tumblr (Opens in new window) Tumblr
- Share on WhatsApp (Opens in new window) WhatsApp
- Share on Reddit (Opens in new window) Reddit
- Share on Facebook (Opens in new window) Facebook
Providence 4: Lovecraft Out of Bounds
The communal play that defined the early growth of Lovecraft’s myth-cycle is often celebrated as a pioneering experiment in collaborative fiction. Yet, from a hauntological perspective, it represents the precise … Continue reading →
Share this:
- Share on Pinterest (Opens in new window) Pinterest
- Share on LinkedIn (Opens in new window) LinkedIn
- Share on X (Opens in new window) X
- Share on Tumblr (Opens in new window) Tumblr
- Share on WhatsApp (Opens in new window) WhatsApp
- Share on Reddit (Opens in new window) Reddit
- Share on Facebook (Opens in new window) Facebook
Nobody’s Odyssey
The internet is a funny old place. I don’t engage much these days. I blog elsewhere on WordPress and make the odd post here and there, but it’s very much … Continue reading →
Share this:
- Share on Pinterest (Opens in new window) Pinterest
- Share on LinkedIn (Opens in new window) LinkedIn
- Share on X (Opens in new window) X
- Share on Tumblr (Opens in new window) Tumblr
- Share on WhatsApp (Opens in new window) WhatsApp
- Share on Reddit (Opens in new window) Reddit
- Share on Facebook (Opens in new window) Facebook
Providence 3: Lovecraft Out of Space
If we apply the lens of psychogeography to Lovecraft’s Providence, we stop viewing the setting as mere backdrop for cosmic indifference and instead see the urban environment as an active … Continue reading →
Share this:
- Share on Pinterest (Opens in new window) Pinterest
- Share on LinkedIn (Opens in new window) LinkedIn
- Share on X (Opens in new window) X
- Share on Tumblr (Opens in new window) Tumblr
- Share on WhatsApp (Opens in new window) WhatsApp
- Share on Reddit (Opens in new window) Reddit
- Share on Facebook (Opens in new window) Facebook
The Dead Web: How the Internet Became the Largest Ruin in Human History
I adore Godzilla films, whether the original Toho productions or the more recent Legendary Monsterverse incarnations. Especially Mothra who, along with the Groke, I see as my spirit animal. During … Continue reading →
Share this:
- Share on Pinterest (Opens in new window) Pinterest
- Share on LinkedIn (Opens in new window) LinkedIn
- Share on X (Opens in new window) X
- Share on Tumblr (Opens in new window) Tumblr
- Share on WhatsApp (Opens in new window) WhatsApp
- Share on Reddit (Opens in new window) Reddit
- Share on Facebook (Opens in new window) Facebook
Providence 2: Lovecraft Out of Time
The Case of Charles Dexter Ward offers the most coherent architecture of hauntological failure in the Lovecraftian canon. Ward is not a mere antiquarian; he is an agent of … Continue reading →
Share this:
- Share on Pinterest (Opens in new window) Pinterest
- Share on LinkedIn (Opens in new window) LinkedIn
- Share on X (Opens in new window) X
- Share on Tumblr (Opens in new window) Tumblr
- Share on WhatsApp (Opens in new window) WhatsApp
- Share on Reddit (Opens in new window) Reddit
- Share on Facebook (Opens in new window) Facebook
Providence: Introduction – The Haunter of the Drift
Providence is an series of essays that are nominally about HP Lovecraft. You find out why ‘nominally’ fits as the essays go on. This is the introduction essay. The rest … Continue reading →
Share this:
- Share on Pinterest (Opens in new window) Pinterest
- Share on LinkedIn (Opens in new window) LinkedIn
- Share on X (Opens in new window) X
- Share on Tumblr (Opens in new window) Tumblr
- Share on WhatsApp (Opens in new window) WhatsApp
- Share on Reddit (Opens in new window) Reddit
- Share on Facebook (Opens in new window) Facebook
Estate Agents of Doom, or, Scooby Doo vs. the 1%
The cultural artefact known as Scooby-Doo, Where Are You? represents a sustained and surprisingly rigorous interrogation of the late twentieth century landscape. To the casual observer, the first two … Continue reading →
Share this:
- Share on Pinterest (Opens in new window) Pinterest
- Share on LinkedIn (Opens in new window) LinkedIn
- Share on X (Opens in new window) X
- Share on Tumblr (Opens in new window) Tumblr
- Share on WhatsApp (Opens in new window) WhatsApp
- Share on Reddit (Opens in new window) Reddit
- Share on Facebook (Opens in new window) Facebook
X-Men: Ghosts of Genomes Past – Part Three
Why the X-Men Never End — memory, seriality and myth. The mutant past is perpetually reimagined, transforming history into a shifting landscape of retroactive continuity. This instability of memory provides … Continue reading →
Share this:
- Share on Pinterest (Opens in new window) Pinterest
- Share on LinkedIn (Opens in new window) LinkedIn
- Share on X (Opens in new window) X
- Share on Tumblr (Opens in new window) Tumblr
- Share on WhatsApp (Opens in new window) WhatsApp
- Share on Reddit (Opens in new window) Reddit
- Share on Facebook (Opens in new window) Facebook
X-Men: Ghosts of Genomes Past – Part Two
Haunting the Present — politics, surveillance and control. The paradoxes of mutant time are embodied in the recurring figure of the future mutant who returns to warn of a catastrophe … Continue reading →
Share this:
- Share on Pinterest (Opens in new window) Pinterest
- Share on LinkedIn (Opens in new window) LinkedIn
- Share on X (Opens in new window) X
- Share on Tumblr (Opens in new window) Tumblr
- Share on WhatsApp (Opens in new window) WhatsApp
- Share on Reddit (Opens in new window) Reddit
- Share on Facebook (Opens in new window) Facebook
Recent Comments