The Archivist’s Project 3
I arrived, eventually, at the middle section of the register, which was given over entirely to the mid-century archives. It was a tedious catalogue of names, a sprawling list of … Continue reading
The Canon of the Unloved: Creative Gambles and Corporate Euthanasia.
Creative Gambles and Corporate Euthanasia. One must eventually confront the evidence of one’s own aesthetic deviancy. My cinematic resume reads like a morgue of corporate aspirations, a curated collection of … Continue reading
Providence 6 – Coda: Lovecraft Out of Mind
To review the trajectory across these essays is to witness a profound chronicle of architectural and hauntological containment. We began within the dusty, subterranean vaults of the text itself, tracking … Continue reading
Providence 5 – Lovecraft Out of Context
The contemporary cultural landscape is haunted by an entity that bears only a superficial resemblance to Howard Phillips Lovecraft. Decades after he died in poverty and obscurity, the Providence writer … Continue reading
The Archivist’s Project 1
My name is, perhaps was, Thomas Arthur Cannon. Of that, I am almost certain. I have been in the employ of Upton Campbell, archivist and librarian of my Alma Mater, … Continue reading
Providence 4: Lovecraft Out of Bounds
The communal play that defined the early growth of Lovecraft’s myth-cycle is often celebrated as a pioneering experiment in collaborative fiction. Yet, from a hauntological perspective, it represents the precise … Continue reading
Providence 3: Lovecraft Out of Space
If we apply the lens of psychogeography to Lovecraft’s Providence, we stop viewing the setting as mere backdrop for cosmic indifference and instead see the urban environment as an active … Continue reading
Providence: Introduction – The Haunter of the Drift
Providence is an series of essays that are nominally about HP Lovecraft. You find out why ‘nominally’ fits as the essays go on. This is the introduction essay. The rest … Continue reading
Estate Agents of Doom, or, Scooby Doo vs. the 1%
The cultural artefact known as Scooby-Doo, Where Are You? represents a sustained and surprisingly rigorous interrogation of the late twentieth century landscape. To the casual observer, the first two … Continue reading
X-Men: Ghosts of Genomes Past – Part Three
Why the X-Men Never End — memory, seriality and myth. The mutant past is perpetually reimagined, transforming history into a shifting landscape of retroactive continuity. This instability of memory provides … Continue reading
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