The Archivist’s Project 3
I arrived, eventually, at the middle section of the register, which was given over entirely to the mid-century archives. It was a tedious catalogue of names, a sprawling list of … Continue reading
The Canon of the Unloved: Creative Gambles and Corporate Euthanasia.
Creative Gambles and Corporate Euthanasia. One must eventually confront the evidence of one’s own aesthetic deviancy. My cinematic resume reads like a morgue of corporate aspirations, a curated collection of … Continue reading
Providence 6 – Coda: Lovecraft Out of Mind
To review the trajectory across these essays is to witness a profound chronicle of architectural and hauntological containment. We began within the dusty, subterranean vaults of the text itself, tracking … Continue reading
The Archivist’s Project 2
On returning after a rousing weekend of friendship and frivolity, I began to harbour the uncomfortable suspicion that my efforts were not those of an editor, but of an unspooler. … Continue reading
Providence 5 – Lovecraft Out of Context
The contemporary cultural landscape is haunted by an entity that bears only a superficial resemblance to Howard Phillips Lovecraft. Decades after he died in poverty and obscurity, the Providence writer … Continue reading
The Archivist’s Project 1
My name is, perhaps was, Thomas Arthur Cannon. Of that, I am almost certain. I have been in the employ of Upton Campbell, archivist and librarian of my Alma Mater, … Continue reading
Providence 4: Lovecraft Out of Bounds
The communal play that defined the early growth of Lovecraft’s myth-cycle is often celebrated as a pioneering experiment in collaborative fiction. Yet, from a hauntological perspective, it represents the precise … Continue reading
Nobody’s Odyssey
The internet is a funny old place. I don’t engage much these days. I blog elsewhere on WordPress and make the odd post here and there, but it’s very much … Continue reading
Providence 3: Lovecraft Out of Space
If we apply the lens of psychogeography to Lovecraft’s Providence, we stop viewing the setting as mere backdrop for cosmic indifference and instead see the urban environment as an active … Continue reading
The Dead Web: How the Internet Became the Largest Ruin in Human History
I adore Godzilla films, whether the original Toho productions or the more recent Legendary Monsterverse incarnations. Especially Mothra who, along with the Groke, I see as my spirit animal. During … Continue reading
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