Weird and Eerie (1) – Last Train From London Dark – Part One.
i ‘The form that is most appropriate to the weird,’ says Fisher, ‘is the montage; hence the preference within surrealism for the weird combinations.’ (Fisher, The Weird and the Eerie, … Continue reading
Melancholia and the Janus Hue – Part One
i ‘To attempt to write a guide to such an amorphous concept as melancholy is overwhelmingly impossible, such is the breadth and depth of the topic, the disciplinary territories, the … Continue reading
All this and Soft Play, too… (On Self Editing)
I’ve been asked to illustrate a point about ‘self-editing,’ in terms of agoraphobia. The answer is that I can’t. Not directly, anyway. The problem with agoraphobia, as I mention in … Continue reading
Nostalgia (Part Two)
iii My formative years were founded in the temporary – moving towns far too frequently to establish any kind of stability or peer group – and I find myself often … Continue reading
NOSTALGIA (Part One)
Nostalgia was originally ‘discovered’ as an often-debilitating condition by Johannes Hofer in 1688. (Hofer, 1934) He was a medical student and observed a depressed behaviour among Swiss Mercenaries working away … Continue reading
Haunted Time – Haunted Space – Explorations of Hauntology, Agoraphobia and Time’s Arrow (Part Two)
VI Originating in theoretical physics, the idea of ‘the arrow of time,’ or ‘Time’s Arrow’, is – I believe – pivotal to the idea of hauntology. More specifically, its disruption … Continue reading
Haunted Time – Haunted Space – Explorations of Hauntology, Agoraphobia and Time’s Arrow (Part One)
“People assume that time is a strict progression from cause to effect, but actually, from a non-linear, non-subjective viewpoint, it’s more like a big ball of wibbly-wobbly, timey-wimey… stuff… Doctor … Continue reading
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