The Canon of the Unloved: Creative Gambles and Corporate Euthanasia.
Creative Gambles and Corporate Euthanasia. One must eventually confront the evidence of one’s own aesthetic deviancy. My cinematic resume reads like a morgue of corporate aspirations, a curated collection of … Continue reading →
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Estate Agents of Doom, or, Scooby Doo vs. the 1%
The cultural artefact known as Scooby-Doo, Where Are You? represents a sustained and surprisingly rigorous interrogation of the late twentieth century landscape. To the casual observer, the first two … Continue reading →
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Phantom Limbs, Withheld Worlds, and the Quatermass Experience (Part Four)
The intersection of Kneale’s work with the mechanics of the phantom limb becomes most visible through his preoccupation with systems that persist in running on invalid assumptions. This phenomenon is … Continue reading →
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Namaste, or: What Keeps Coming Back (in a Slightly Worse Mood) (Part Three)
On the way down, the sound followed for a while, then thinned, then vanished. It didn’t echo. That was the strangest part. For all its droning insistence, it left … Continue reading →
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