Love Death and the Crucial Three – Extract One.
February 2020 There are six words that have followed me around for my entire life. Just six. Not a mantra. I doubt I’m the only one with these words rattling … Continue reading
Love, Death and the Crucial Three – Press Release.
Thought you might like to see this… It’s odd having someone else write about your stuff. The ‘more info’ page will be posted tomorrow… FOR IMMEDIATE RELEASE Love, Death, and … Continue reading
A Small Pile
Well… a small stack of bloody hard work… I have my copies; yours will be available on Amazon from February 2nd.
Novel Update
I got the revised proof back yesterday. Apart from the slight ‘indent’ problem on the dedications page as seen above, it was bloody gorgeous! Except… when I gave the okay … Continue reading
Lies, Damned Lies and Archives.
i The past is fragmented and falsified. Of course, this is nothing new. Archives have been doing this since the concept of archive was first mooted but if, as a … Continue reading
Weird and Eerie (1) – Last Train To London Dark – Part Two.
xiii. Rik Rack Recumbent On a bench outside the main gate of King’s Cross Station, I see a familiar face. Rik Rack has poured himself into a solid wooden bench … Continue reading
Weird and Eerie (1) – Last Train From London Dark – Part One.
i ‘The form that is most appropriate to the weird,’ says Fisher, ‘is the montage; hence the preference within surrealism for the weird combinations.’ (Fisher, The Weird and the Eerie, … Continue reading
Lunar Module and the Call of The Sea (Part Two)
V My parents did not like or approve of Science Fiction. It seemed odd to shun a single genre like that, especially as I was also a horror fan, but … Continue reading
All this and Soft Play, too… (On Self Editing)
I’ve been asked to illustrate a point about ‘self-editing,’ in terms of agoraphobia. The answer is that I can’t. Not directly, anyway. The problem with agoraphobia, as I mention in … Continue reading
Nostalgia (Part Three)
vii The understanding of nostalgia has changed since the dark days of incarceration or forced interment into a concept that is enjoyed and has been commoditised and monetised. Where one’s … Continue reading
Will Vigar 
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